{"id":308,"date":"2025-09-09T13:44:55","date_gmt":"2025-09-09T13:44:55","guid":{"rendered":"https:\/\/totiarts.in\/toti-obrien\/?page_id=308"},"modified":"2025-09-09T13:44:55","modified_gmt":"2025-09-09T13:44:55","slug":"artist-resume","status":"publish","type":"page","link":"https:\/\/totiarts.in\/toti-obrien\/artist-resume\/","title":{"rendered":"artist resume"},"content":{"rendered":"\n<p><strong><u>Exhibitions<\/u><\/strong><\/p>\n\n\n\n<p>2025&nbsp;&nbsp;&nbsp; <strong>Open Artwork Studio<\/strong>, Claremont, CA; \u201c<strong>In the Garden of Blooms and Ballyhoo<\/strong>,\u201d Cactus Gallery, L.A., CA; \u201c<strong>flor : essence<\/strong>,\u201d 2-person show, LMF Gallery, Sierra Madre, CA; \u201c<strong>Mother Memory<\/strong>,\u201d group show, curator and participating artist, Wonzimer, Los Angeles, CA.<\/p>\n\n\n\n<p>2024&nbsp;&nbsp;&nbsp; <strong>\u201c2024 Juried Art Exhibition Ahmad Shariff Gallery,\u201d<\/strong> Claremont, CA; <strong>\u201cPostmarked\u201d<\/strong> group show at East Gallery CGU, Claremont, CA; <strong>\u201cRed on Red\u201d<\/strong> group show at Square Gallery, Claremont, CA; <strong>\u201cSticks and Stones,\u201d<\/strong> 2 person show at Bunny Gunner Gallery, Claremont, CA; \u201c<strong>Mirror, Mirror<\/strong>,\u201d group show at Studio C, Claremont, CA; <strong>\u201cOff the Wall,\u201d<\/strong> 3 person show, Fallbrook Public Library, Fallbrook, CA; \u201c<strong>Goodnight Room\u201d<\/strong> group show, Roswell Space Gallery, L.A., CA; <strong>Spring and Fall Heritage Flea Market<\/strong>, Garner House Courtyard, Claremont, CA; <strong>Spring and Winter<\/strong>, <strong>Artwork Open Studio <\/strong>, Claremont, CA; <strong>Spring and Winter ALTA Art Tour<\/strong>, Pasadena, CA; <strong>Claremont Artisans Collective<\/strong>, Claremont, CA, Winter Show; <strong>Glendora Artisans Sale<\/strong>, Glendora, CA, Fall show; <strong>Padua Hills Art Fair<\/strong>, Claremont, CA, Fall show; <strong>Ontario Arts Festival<\/strong>, Ontario, CA, Fall show; <strong>Griffith Park Artisan Sale<\/strong>, L.A., CA, Fall Show; <strong>South Pas Artisans<\/strong>, Winter Sale, South Pasadena, CA.<\/p>\n\n\n\n<p>2023&nbsp;&nbsp;&nbsp; <strong>\u201cWinged Things\u201d<\/strong> group show at Studio C and Bunny Gunner Gallery, Claremont, CA; <strong>\u201cFibers\u201d<\/strong> group show at Alexander Hugues Community Center, Claremont, CA; <strong>\u201cTrait d\u2019union\u201d<\/strong> solo show at Bunny Gunner Gallery, Claremont, CA; <strong>Spring Heritage Flea Market<\/strong>, Garner House Courtyard, Claremont, CA; <strong>\u201cCollage\u201d<\/strong> curated 4 person show at Altadena Library, Altadena, CA; <strong>AltaArts Art Tour<\/strong>, Pasadena, CA; <strong>Fall Heritage Flea Market<\/strong>, Garner House Courtyard, Claremont, CA; <strong>Holiday Boutique<\/strong>, Women\u2019s Club, South Pasadena, CA; <strong>\u201cArtMob\u201d<\/strong>, UCCC, Claremont, CA; <strong>Solo Show<\/strong> at Hasting Branch Public Library, Pasadena, CA; <strong>Open Art Studio<\/strong>, Claremont, CA; <strong>\u201cHolly Jolly\u201d<\/strong> group show at Roswell Space, L.A., CA; \u201c<strong>Magical Writing<\/strong>,\u201d group show, The Hive Gallery, L.A., CA<\/p>\n\n\n\n<p>2022&nbsp;&nbsp;&nbsp; <strong>\u201cHolly Jolly\u201d<\/strong> group show at Roswell Space, L.A., CA;&nbsp; <strong>\u201cSide by Side\u201d<\/strong> 2-person show at Ginger Elliot Gallery, Claremont, CA; <strong>\u201cArtMob\u201d<\/strong>, UCCC, Claremont, CA; <strong>\u201cArt Festival,\u201d <\/strong>Creative Arts Group, Sierra Madre, CA; \u201c<strong>Accents\u201d <\/strong>4-person show at Studio C, Claremont, CA; \u201c<strong>Still Water<\/strong>\u201d 2-person show at Roswell Space, L.A., CA; \u201c<strong>Pages of a Broken Diary<\/strong>\u201d 2-person show at Metro Gallery, Pomona, CA; <strong>Art Festival<\/strong>, group show at Creative Arts Group, Sierra Madre, CA;<\/p>\n\n\n\n<p>2021&nbsp;&nbsp;&nbsp; <strong>\u201cHolly Jolly\u201d<\/strong> group show at Roswell Space, L.A., CA<strong>; \u201cHidden Tarot\u201d<\/strong> solo show at Curated Chronicles, Upland; <strong>\u201cThe Scribes\u201d<\/strong> group show at Roswell Space, L.A., CA; \u201c<strong>Altadena Art<\/strong>\u201d, Artist of the Month, August, Altadena, CA; \u201c<strong>Italy 2021: Artists and Poems<\/strong>\u201d, Virtual Exhibition, Suturo.com; \u201c<strong>Lydia Takeshita Legacy Exhibit Series:4<\/strong>\u201d, L.A. Artcore, L.A., CA; &#8220;<strong>silence between drumbeats<\/strong>&#8220;, two person show with Cindy Rinne, Metro Gallery, Pomona, CA; &#8220;<strong>Artworx Annual Gala Fundraiser<\/strong>&#8220;, L.A., CA<\/p>\n\n\n\n<p>2020&nbsp;&nbsp;&nbsp; &#8220;<strong>Artworx Annual Gala Fundraiser<\/strong>&#8220;, L.A., CA<\/p>\n\n\n\n<p>2019 &nbsp;&nbsp; <strong>Holiday Boutique <\/strong>Griffith Park Adult Center, L.A., CA; <strong>Fairy Tales Art Exhibit, <\/strong>Neutra Institute, L.A., CA; <strong>Perimeter Gallery Exhibit<\/strong>, Artshare L.A., CA; <strong>Duo show with Jenifer Lacy-Palmer<\/strong>, Griffith Park Adult Center, L.A., CA; <strong>Xiem Clay Center<\/strong> Spring and Fall Open Studio, Pasadena, CA; <strong>Art Mob<\/strong> Spring and Fall sale, Claremont, CA; &#8220;<strong>Artworx Annual Gala Fundraiser<\/strong>&#8220;, L.A., CA;<strong> Altapasa Open Studios<\/strong> Summer Show, Pasadena, CA; \u201c<strong>Altadena Library Preview Exhibit&#8221;<\/strong> Altadena, CA;<\/p>\n\n\n\n<p>2018&nbsp;&nbsp;&nbsp; <strong>Garden Observations<\/strong>, Sierra Madre, CA; <strong>Pico Kiosks, <\/strong>Ethiopian Cultural Center L.A., CA;&#8221;<strong>Artworx Annual Gala Fundraiser<\/strong>&#8220;, L.A., CA<strong>; Dulce Palooza<\/strong>, Neutra Institute, Los Angeles, CA; <strong>Music in Art<\/strong>, Blue 7 Gallery, Santa Monica, CA; <strong>Summer show<\/strong>, Xiem Gallery, Pasadena, CA; <strong>Solo show <\/strong>Chamber of Commerce, Claremont, CA;<strong> Solo show <\/strong>Hasting Branch Public Library, Pasadena, CA; <strong>&#8220;Altapasa Open Studios&#8221;<\/strong> Summer Show, Pasadena, CA; \u201c<strong>Altadena Library Preview Exhibit&#8221;<\/strong> Altadena, CA; <strong>\u201cSpring and Winter Open Studios\u201d<\/strong>, Xiem Clay Center, Pasadena, CA;<strong> &#8220;Gypsy Sisters&#8221;,<\/strong> Spring and Winter Art Shows, Claremont, CA; <strong>Solo show, <\/strong>Altadena Library, Altadena, CA; <strong>\u201cMardiGras\u201d<\/strong> group show at the Latin American Museum, Pomona, CA.<\/p>\n\n\n\n<p>2017 &nbsp;<strong>\u201c8&#215;8<\/strong><strong>&#8220;<\/strong> and \u201c<strong>Endings &amp; Beginnings<\/strong>\u201d, Ave 50, L.A. CA;<strong> \u201cTodos Los Muertos\u201d, <\/strong>Tijuana, Mexico; <strong>\u201cThe Dream Is The Truth\u201d<\/strong>, City Hall, Buena Park, CA;<strong> \u201cLa Dulce Palloza 2017\u201d<\/strong>, cur. Dulce Stein, Neutra Institute, L.A., CA;<strong> \u201cSummer in The City\u201d<\/strong>, Avenue 50 Studio, L.A. CA; <strong>\u201cArt Waves\u201d<\/strong>, Los Angeles Yacht Club, San Pedro, CA; <strong>\u201cGypsy Sisters&#8221;,<\/strong> Spring and Winter Art Shows, Claremont, CA; \u201c<strong>AltaPasa<\/strong> <strong>Open Studios\u201d<\/strong>, Pasadena, CA, Summer and Winter Shows;&#8221;<strong>Artworx Annual Gala Fundraiser<\/strong>&#8220;, L.A., CA; \u201c<strong>Hickory Dickory Dock\u201d<\/strong>, Ginger Elliot Exhibition Center, Claremont, CA.<\/p>\n\n\n\n<p>2016 &nbsp;&nbsp;<strong>\u201c8&#215;8<\/strong><strong>&#8220;<\/strong> and \u201c<strong>A Change is Gonna Come<\/strong>\u201d, Ave 50, L.A. CA;<strong> \u201cOn the Map<\/strong>&#8220;, Angels Gates Cultural Center, S. Pedro, CA<strong>; <\/strong><strong>\u201cCelestial Opera Gala Fundraiser\u201d, <\/strong>South Pasadena, CA<strong>; \u201cHonoring Our Ancestors\u201d<\/strong>, Avenue 50, L.A., CA; <strong>\u201cLet\u2019s Eat Cake\u201d, <\/strong>Space Gallery, South Pasadena, CA; <strong>\u201cSecret Essence\u201d<\/strong>, duo show with Cindy Rinne, Living Room Gallery, Pasadena, CA; <strong>&#8220;Intricate and Delightful&#8221;<\/strong>, solo show, Claremont Health Center, CA; <strong>&#8220;Buy the Dozen&#8221;&#8221;, <\/strong>Paper Dolls Show, Old Bakery, Claremont., CA; &#8220;<strong>Artworx Annual Gala Fundraiser<\/strong>&#8220;, L.A., CA; <strong>\u201cSpring and Fall Open Studios\u201d<\/strong>, Xiem Clay Center, Pasadena, CA;<strong> &#8220;L.A. Connected&#8221;<\/strong> Juried Show, Wishire\/Vermont Art Gallery, L.A.;<strong> &#8220;Gypsy Sisters&#8221;,<\/strong> Spring and Winter Art Show, Claremont, CA; <strong>&#8220;Eclectic Night&#8221;<\/strong> One Night Show, Mission Yoga, South Pasadena, CA; <strong>&#8220;Altapasa Open Studios&#8221;<\/strong> Summer and Winter Shows, <strong>&#8220;Altapasa Open Studios Gala Fundraiser&#8221;<\/strong>, and \u201c<strong>Altadena Library Art Exhibit&#8221;<\/strong> Pasadena, CA;<\/p>\n\n\n\n<p>2015 &nbsp;&nbsp; <strong>&#8220;Altapasa Open Studios&#8221;<\/strong>,Pasadena, CA; <strong>&#8220;Gypsy Sisters&#8221;,<\/strong> December and Spring Art Shows, Claremont, CA;<strong> Fall Open Studios\u201d<\/strong>, Xiem Clay Center, Pasadena, CA; \u201c<strong>American Immigrant Stories<\/strong>\u201d and \u201c<strong>HeartBreak<\/strong>\u201d, Ave 50, Los Angeles, CA; \u201c<strong>ArtworxLA 23<sup>nd<\/sup> Annual Gala Fundraiser<\/strong>\u201d, Los Angeles, CA; <strong>\u201cCelestial Opera Gala Fundriser\u201d, <\/strong>South Pasadena, CA; <strong>Intricate and Delightful<\/strong>, Solo Show in the Buena Park City Hall, CA; <strong>\u201cEarth, Air, Fire, Water: an environmental exhibition\u201d<\/strong>, Mc Groarty Arts Center, Tujunga, CA<\/p>\n\n\n\n<p>2014&nbsp;&nbsp;&nbsp; \u201c<strong>8&#215;8<\/strong>\u201d Ave 50 Holiday Silent Auction, Los Angeles, CA;<strong>&#8220;Gypsy Sisters&#8221;,<\/strong> December and Spring Art Shows, Claremont, CA<strong>; \u201cIn light of shadows\u201d<\/strong>, Brand Gallery, Glendale, CA; \u201c<strong>Charm(s)\u201d<\/strong>, 3 persons show for GALA, Glendale, CA; \u201c<strong>Fall Preview\u201d <\/strong>and <strong>\u201cFall Open Studios\u201d<\/strong>, Xiem Clay Center, Pasadena, CA; <strong>\u201cCelestial Opera Gala Fundriser\u201d, <\/strong>South Pasadena, CA; <strong>\u201cSpace Gallery Gala Fundriser\u201d<\/strong>, South Pasadena, CA; \u201c<strong>8&#215;8<\/strong>\u201d Ave 50 Silent Auction, Los Angeles, CA: \u201c<strong>ArtworxLA 22<sup>nd<\/sup> Annual Gala<\/strong>\u201d, Los Angeles, CA; \u201c<strong>Annual Art Exhibition<\/strong>\u201d, McGroarty Art Center, Tujunga, CA; <strong>\u201cPortraits of the Garden\u201d<\/strong>, Stuart Haaga Gallery, La Canada, CA<\/p>\n\n\n\n<p>2013 &nbsp;&nbsp; \u201c<strong>Honoring Fallen Heroes<\/strong>\u201d, Ave 50, L.A., CA; \u201c<strong>Bi Annual Ave 50 Fund Raiser<\/strong>\u201d, Pico Gallery, L.A. , CA; \u201c<strong>Chispas<\/strong>\u201d, Ave 50, L.A., CA<\/p>\n\n\n\n<p>The \u201c<strong>Heart Project\u201d Annual Fund Raiser<\/strong> and Art Auction, L.A. CA<\/p>\n\n\n\n<p>2012 \u201c<strong>8&#215;8<\/strong>\u201d, Gallery 50, L.A., CA; \u201c<strong>15 Women<\/strong>\u201d, Gallery 50, L.A., CA; \u201d<strong>Sacred<\/strong> <strong>Memories<\/strong>\u201d, Pico Gallery, L.A., CA<\/p>\n\n\n\n<p>2011&nbsp;&nbsp;&nbsp; \u201c<strong>Sacred Memories<\/strong>\u201d, Pico Gallery, L.A., CA; <strong>\u201cA celebration of life\u201d<\/strong>, Ave 50, L.A. CA; <strong>Annual Open Studios<\/strong>, Xiem Clay Center, Pasadena, CA; \u201c<strong>Scenic Drive Gallery Poets on Site\u201d, <\/strong>Monrovia, CA; \u201c<strong>Open Call\u201d<\/strong>, Barnsdall Municipal Gallery, L.A., CA; \u201c<strong>Annual SemiTardeada\u201d <\/strong>Avenue 50, L.A., CA; \u201c<strong>For the Birds<\/strong>\u201d, Installation project for the Arroyo Arts Collective and Audubon Center, L.A., CA; \u201c<strong>Love\u2019s Vibes<\/strong>\u201d, Gallery 50, L.A., CA; \u201c<strong>Hearts and Flowers<\/strong>\u201d, The Folk Tree, Pasadena, CA<\/p>\n\n\n\n<p>2010 &nbsp;&nbsp; \u201c<strong>8&#215;8<\/strong>\u201d, Gallery 50, L.A., CA; \u201c<strong>La Fiesta de l\u2019Alma<\/strong>\u201d, Baldwin Park Art Center, CA; <strong>Fall Open Studio, <\/strong>Xiem Clay Center, Pasadena, CA; <strong>Fall Open Studio <\/strong>at Ann Seltzer\u2019s, Claremont, CA; \u201c<strong>Writing the Body<\/strong>\u201d, Poets on Site on the work of Toti O\u2019Brien, Flintridge Bookstore, La Canada, CA: \u201c<strong>Night Dive<\/strong>\u201d, Aquarius of the Pacific, Long Beach, CA; \u201c<strong>Sacred Memories<\/strong>\u201d, Pico Gallery, L.A., CA; \u201c<strong>Viva la Vida<\/strong>\u201d curated by Josine Janco Starrels, Rogue Gallery, OR; <strong>Spring<\/strong> <strong>Open Studio <\/strong>at Ann Seltzer\u2019s, Claremont, CA; \u2018<strong>Unearthed<\/strong>\u201d, Space Gallery, South Pasadena, CA; \u201c<strong>Frida Kahlo through the lens of Nicholas Murray\u201d, <\/strong>Baldwin Park Art Center, CA; <strong>\u201cGarden of Eden<\/strong>\u201d, Folk Tree Collection, Pasadena, CA; <strong>Spring Open Studio, <\/strong>Xiem Clay Center, Pasadena, CA; \u201c<strong>Hybrid 2<\/strong>\u201d curated by Peter Liaskov, Gallery 50, L.A., CA, \u201c<strong>Writing the Body<\/strong>\u201d, solo show, Goodland Gallery, Goleta, CA; \u201c<strong>Hearts and Flowers, Patrons and Lovers<\/strong>\u201d, Folk Tree Collection, Pasadena, CA<\/p>\n\n\n\n<p>2009&nbsp;&nbsp;&nbsp; \u201c<strong>Witness 2<\/strong>\u201d curated by Raoul De la Sota, Gallery 50, L.A., CA; \u201c<strong>Writing the Body<\/strong>\u201d, solo show, The Living Room Gallery, Pasadena, CA; <strong>Fall Open Studio, <\/strong>Xiem Clay Center, Pasadena, CA; \u201c<strong>Fine and functional art<\/strong>\u201d, Space Gallery, South Pasadena, CA; \u201c<strong>Ornaments<\/strong>\u201d, Folk Tree Collection, Pasadena, CA; \u201c<strong>Dia de los Muertos<\/strong>\u2019 curated by Marianne Gatto, Pico Gallery, L.A., CA; Ceramics regularly shown at Space Gallery, South Pasadena, CA and at Xiem Gallery, Pasadena, CA; \u201c<strong>Two in the Ark<\/strong>\u201d, \u201d, Folk Tree Collection, Pasadena, CA; \u201c<strong>On the trail of\u2026<\/strong>\u201d, Installation at Hamamongna Water Park, La Canada, CA; \u201c<strong>Open Call\u201d<\/strong>, Barnsdall Municipal Gallery, L.A., CA; \u201c<strong>Mothers and Others<\/strong>\u201d, Space Gallery, South Pasadena, CA;&nbsp; <strong>Spring Open Studio, <\/strong>Xiem Clay Center, Pasadena, CA; \u201c<strong>Bring the past into light<\/strong>\u201d, Installation Project at the Lummis House, L.A., CA; \u201c<strong>The Ark in the annex<\/strong>\u201d, Gallery 50, L.A., CA; <strong>First Annual Art Show<\/strong>, Art and Recreation Center, Baldwin Park, CA; \u201c<strong>In good form<\/strong>\u201d, Gallery 475, Pomona, CA; \u201c<strong>Woman 24\/7<\/strong>\u201d, Gallery 50, L.A., CA; \u201c<strong>Seeing Red<\/strong>\u201d, Gallery 50, L.A., CA; \u201c<strong>Less is More<\/strong>\u201d, Gallery 475, Pomona, CA<\/p>\n\n\n\n<p>2008 &nbsp;&nbsp; Ceramics regularly shown at Space Gallery, South Pasadena, CA and at Xiem Gallery, Pasadena, CA; \u201c<strong>Emerging Artists<\/strong>\u201d, The Source on Lake, Pasadena, CA; \u201c<strong>Urban birds<\/strong>\u201d, Space Gallery, South Pasadena, CA; <strong>Annual Open Studios<\/strong>, Xiem Clay Center, Pasadena, CA;<strong> \u201cPresente, Omenaje a la Mujer<\/strong>\u201d, Gallery 50, L.A., CA; \u201c<strong>Spirits of L.A.<\/strong>\u201d, Barnsdall Municipal Gallery and LAX, L.A., CA<\/p>\n\n\n\n<p>2007 \u201c<strong>Open Call Biennial<\/strong>\u201d, Barnsdall Municipal Gallery, L.A., CA; \u201c<strong>Homenaje a Frida<\/strong>\u201d, Artemundo di Barbara Provera, Mede, Pavia, Italy; \u201c<strong>Animalia: creatures tame and wild<\/strong>\u201d, dA Gallery, Pomona, CA; \u201c<strong>Postmarked 2007<\/strong>\u201d, Art Forum Gallery, Claremont, CA; \u201c<strong>Fiber Arts Show<\/strong>\u201d, dA Gallery, Pomona, CA; \u201c<strong>Houseguest<\/strong>\u201d, At the Brewery Project, L.A., CA<\/p>\n\n\n\n<p>2006&nbsp;&nbsp;&nbsp; \u201c<strong>LA through the eye of the artisti<\/strong>\u201d, Pico Gallery, L.A., CA<\/p>\n\n\n\n<p>2004&nbsp;&nbsp;&nbsp; \u201c<strong>Show your art, support the arts<\/strong>\u201d, Barnsdall Municipal Gallery, L.A., CA; \u201c<strong>Fracturing Fairy Tales<\/strong>\u201d, Women Center, UCSanta Barbara, CA; \u201c<strong>Solo for 4<\/strong>\u201d, Angels Gate Cultural Center, San Pedro, CA<\/p>\n\n\n\n<p>2003 \u201c<strong>Odds and ends and a few more snips<\/strong>\u201d, Art Forum Gallery, Claremont, CA; \u201c<strong>Open Haus<\/strong>\u201d, Haus, Pasadena, CA; \u201c<strong>Biosystems, echosystems<\/strong>\u201d, IGM Gallery, L.A., CA; \u201c<strong>Toys, art that works<\/strong>\u201d, Angels Gate Cultural Center, San Pedro, CA; \u201c<strong>On Site at the Gate 2003<\/strong>\u201d, Angels Gate Cultural Center, San Pedro, CA; \u201c<strong>Odds and ends and a few more snips<\/strong>\u201d, Borders Bookstore, Pasadena, CA; \u201c<strong>Domesticity<\/strong>\u201d, Snivling Sibbling Antique Store, L.A., CA<\/p>\n\n\n\n<p>2002 &nbsp;&nbsp; \u201c<strong>Relationships lost and found<\/strong>\u201d, Manhattan Beach Creative Arts Center,CA; \u201c<strong>Fiber Art al Centro<\/strong>\u201d, Museo Archeologico di Amelia, Italy; \u201c<strong>Colors outside the lines<\/strong>\u201d, Long Beach Arts, Long Beach, CA<\/p>\n\n\n\n<p>2001&nbsp;&nbsp;&nbsp; \u201c<strong>Twice Removed<\/strong>\u201d, Angels Gate Cultural Center, San Pedro, CA; \u201c<strong>Hearts and Flowers XIV<\/strong>\u201d, Folk Tree Collection, Pasadena, CA<\/p>\n\n\n\n<p>2000&nbsp;&nbsp;&nbsp; \u201c<strong>7<sup>th<\/sup> Miracle on main Street<\/strong>\u201d, Side Street Projects, L.A., CA; \u201c<strong>Cartarte<\/strong>\u201d, curated by Mario Palmieri, ANIN, Pavia, Italy; \u201c<strong>Visual responses to the Little Prince<\/strong>\u201d, The Gallery at Montalvo, Saratoga, CA; \u201c<strong>Art In Tents<\/strong>\u201d, Installation at Hamamongna Water Park, La Canada, CA; \u201c<strong>Stelle Cadenti<\/strong>\u201d, Installation, Bassano in Teverina, Italy; \u201c<strong>More and Less<\/strong>\u201d, Ateliers Nadar, Marseilles, France; \u201c<strong>On and of paper<\/strong>\u201d, Angels Gate Cultural Center, San Pedro, CA; \u201c<strong>Small Work<\/strong>\u201d, High Five Gallery, L.A., CA; \u201c<strong>Off Loom, Arte fuori dal Telaio<\/strong>\u201d, S. Michele a Ripa, Roma, Italy; \u201c<strong>Patrons, Lovers and Other Romantics<\/strong>\u201d, Contemporary Arts Forum, S. Barbara, CA; \u201c<strong>The Spurgeon Experience<\/strong>\u201d, Installation with John O\u2019Brien, Spurgeon Building, Santa Ana, CA<\/p>\n\n\n\n<p>1999&nbsp;&nbsp;&nbsp; \u201c<strong>Small Work<\/strong>\u201d, High Five Gallery, L.A., CA; \u201c<strong>More and Less<\/strong>\u201d, At the Brewery Project, L.A., CA; \u201c<strong>On Site at the Gate 1999<\/strong>\u201d, Angels Gate Cultural Center, San Pedro, CA; \u201c<strong>Small Work<\/strong>\u201d, Atrium Gallery, L.A., CA; \u201c<strong>Open and Closed: Artists Contemporary Books as Sculpture<\/strong>\u201d, Fullerton College Art Gallery, CA; \u201c<strong>Road to California<\/strong>\u201d, Ontario, CA<\/p>\n\n\n\n<p>1998&nbsp;&nbsp;&nbsp; \u201c<strong>Contempo Italianate<\/strong>\u201d, Laband Gallery, Loyola Marymount University, L.A., CA; \u201c<strong>Stelle Cadenti<\/strong>\u201d, Installation, Bassano in Teverina, Italy; \u201c<strong>The Travelers\/I viaggiatori<\/strong>\u201d, Palazzo dei Consoli, Gubbio, Italy; \u201c<strong>Annual Juried Exhibition<\/strong>\u201d, L.A. Artcore, L.A., CA; \u201c<strong>5 years at Random<\/strong>\u201d, Random Gallery, L.A., CA; \u201c<strong>Figuratively Speaking II<\/strong>\u201d, Folk Tree Collection, Pasadena, CA; \u201c<strong>Road to California<\/strong>\u201d, Ontario, CA; \u201c<strong>Recycling Art<\/strong>\u201d, Palazzo delle Esposizioni, Roma, Italy; \u201c<strong>The Travelers\/I viaggiatori<\/strong>\u201d, At the Brewery Project, L.A., CA<\/p>\n\n\n\n<p>1997&nbsp;&nbsp;&nbsp; \u201c<strong>Allegorical Re\/Visions<\/strong>\u201d, Barnsdall Municipal Gallery, L.A., CA; \u201c<strong>In the Pocket 3<\/strong>\u201d, Random Gallery, L.A., CA; \u201c<strong>17<sup>th<\/sup> Black Doll Exhibition<\/strong>\u201d, William Grant Still Center, L.A., CA; \u201c<strong>5<sup>th<\/sup> Miracle on Main Street<\/strong>\u201d, Side Street Projects, L.A., CA; \u201c<strong>Ornaments and Adornments VI<\/strong>\u201d, Folk Tree Collection, Pasadena, CA; \u201c<strong>Souvenir Shop<\/strong>\u201d, Site Gallery, L.A., CA; \u201c<strong>The brain and the self<\/strong>\u201d, The Conference, Elsinore, Denmark; \u201c<strong>Eye Site 1997<\/strong>\u201d, Site Gallery, L.A., CA; \u201c<strong>Rags 97 \u2013 Wearable Art Show<\/strong>\u201d, The American Art Company, Tacoma, WA; \u201c<strong>L.A. Slide<\/strong>\u201d, curated by Elena Mary Siff,The Living Room, Santa Monica, CA and Gallery 25, Fresno, CA; \u201c<strong>Blow Up<\/strong>\u201d, Site Gallery, L.A., CA; \u201c<strong>His(Story), Her(Story) and Other(Stories), Too<\/strong>\u201d curated by Dennis Callwood, L.A. Artcore, L.A., CA; \u201c<strong>Monoproduction II<\/strong>\u201d, Biggin Art Gallery, Auburn University, Alabama<\/p>\n\n\n\n<p>1996&nbsp;&nbsp;&nbsp; \u201c<strong>Winter Wonderland<\/strong>\u201d, SRW Gallery, Sierra Madre, CA; \u201c<strong>Miracle on 18th Street<\/strong>\u201d, Side Street Projects, S. Monica, CA; \u201c<strong>In the Pocket 2<\/strong>\u201d, Random Gallery, L.A., CA; \u201c<strong>16<sup>th<\/sup> Black Doll Exhibition<\/strong>\u201d, William Grant Still Center, L.A., CA; \u201c<strong>Littlebigart<\/strong>\u201d, Mendenhall Art Gallery, Whittier, CA; \u201c<strong>14<sup>th<\/sup> Annual Brewery Artwalk<\/strong>\u201d, The Brewery, L.A., CA; \u201c<strong>Segnali di Filo<\/strong>\u201d, Palazzo dei Congressi, Roma, Italy; \u201c<strong>Dal Campo d\u2019Osservazione to the Brewery<\/strong>\u201d, Palazzo Ducale, Gubbio, Italy; \u201c<strong>Figuratively Speaking<\/strong>\u201d, Folk Tree Collection, Pasadena, CA; \u201c<strong>The Woven Page<\/strong>\u201d, South Pasadena Library\u2019s Community Room, CA; \u201c<strong>Green<\/strong>\u201d curated by Matt Gleason, Factory Place, L.A., CA; \u201c<strong>The Cup and the Teapot<\/strong>\u201d curated by Stacey Browne and Kirk Delman, Clark Humanities Museum, Claremont, CA<\/p>\n\n\n\n<p>1995&nbsp;&nbsp;&nbsp; \u201c<strong>In the Pocket<\/strong>\u201d, Random Gallery, L.A., CA; \u201c<strong>Segnali di Filo<\/strong>\u201d, Creativity, Roma, Italy; \u201c<strong>13<sup>th<\/sup> Annual Brewery Artwalk<\/strong>\u201d, The Brewery, L.A., CA; \u201c<strong>Miracle on 18th Street<\/strong>\u201d, Side Street Projects, S. Monica, CA; \u201c<strong>Unpacking my library<\/strong>\u201d curated by Kathryn Tubbs and Tera Galanti, California Medical Arts Group,S. Monica, CA; \u201c<strong>Bambole<\/strong>\u201d, Caf\u00e9\u2019 Berlin, L.A., CA; \u201c<strong>Sunday Brunch (Not exactly breakfast at Tiffany\u2019s)<\/strong>\u201d, Random Gallery, L.A., CA<\/p>\n\n\n\n<p>1994&nbsp;&nbsp;&nbsp; \u201c<strong>Miracle on 18th Street<\/strong>\u201d, Side Street Projects, S. Monica, CA<\/p>\n\n\n\n<p><strong><u>Illustrations<\/u><\/strong><\/p>\n\n\n\n<p>2025<\/p>\n\n\n\n<p>\u201cA Calligraphy of Wind, Swept Clean,\u201d for Argonline, Genevi\u00e8ve Desrosiers, 4.15<\/p>\n\n\n\n<p>\u201cUntold Story,\u201d for Argonline, M\u00e9lanie Landreville, 4.9<\/p>\n\n\n\n<p>\u201cDream Architecture, 3\u201d for Argonline, Shawn Cotton, 4.2<\/p>\n\n\n\n<p>\u201cLeviathan,\u201d for Argonline, Virginie Beauregard, 3.26<\/p>\n\n\n\n<p>\u201cApocalypse,\u201d for Argonline, Audrey H\u00e9bert, 3.20<\/p>\n\n\n\n<p>\u201cEpiphany,\u201d for Argonline, Fr\u00e9d\u00e9ric Dumont, 3.13<\/p>\n\n\n\n<p>\u201cLast Adam,\u201d for Argonline, Jonas Fortier , 3.5<\/p>\n\n\n\n<p>\u201cConvergence,\u201d for Argonline, N\u00e9v\u00e9 Dumas, 2.27<\/p>\n\n\n\n<p>\u201cLost Planet, 2\u201d for Argonline, Camille Readman, 2.12<\/p>\n\n\n\n<p>\u00a0\u201cFlare,\u201d for Argonline, Annie Lafleur, Poesia dal Quebec, 1.30<\/p>\n\n\n\n<p>2023<\/p>\n\n\n\n<p>\u201cAs in Aria,\u201d cover art of <em>Artist Descending a Typewriter<\/em>, by M.P. Hogan<\/p>\n\n\n\n<p>7 illustrations in <em>Imaginaria<\/em>, Argo Edizioni<\/p>\n\n\n\n<p>\u201cPages of a Broken Diary\u201d (7 images) in Kaleidoscoped 3.1<\/p>\n\n\n\n<p>2022<\/p>\n\n\n\n<p>\u201cMorgana\u201d and \u201cMicrocosm\u201d in Aurum 9.4<\/p>\n\n\n\n<p>\u201c5 Fables\u201d in Aerogram Vol. 2, 4<\/p>\n\n\n\n<p>\u201cQuiza Sibilas Quiza Sombras\u201d in Argo, 4.8<\/p>\n\n\n\n<p>&#8220;UnaMasLoveLetter,2; ObscureSelves,5; Anatomy,4; Handmade Map,3; Sonetto in Morte di Madonna Laura&#8221; in Still Point, 45<\/p>\n\n\n\n<p>\u201cIsland\u201d and \u201cWind Born\u201d in Colorado Boulevard 2\/23\/22<\/p>\n\n\n\n<p>\u201cCharred 3, Earth\u201d \u201cResidue of a Star Exploded,\u201d \u201cResidue\u2026, Ciudad\u201d in Twyckenham Notes Winter 21\/22<\/p>\n\n\n\n<p>2021\u00a0\u00a0\u00a0<\/p>\n\n\n\n<p>\u201c4 Fables, 2 Miniature Landscapes, Phoenix, Convergence\u201d in Anvil Tongue, Dec.<\/p>\n\n\n\n<p>\u201cTenochtitlan\u201d in Star 82, Issue 9.4<\/p>\n\n\n\n<p><em>Today in the Forest , <\/em>Moonrise Press <\/p>\n\n\n\n<p>\u201cAerial Stage Machinery,\u201d \u201cEven Icarus\u201d and \u201cStella Maris\u201d in Argo, 1.18 and 1.25<\/p>\n\n\n\n<p>2020 <\/p>\n\n\n\n<p>\u201cA Calligraphy of Wind_Swept Clean\u201d in Arkana #9<\/p>\n\n\n\n<p>\u201cHandmade Map #3\u201d in Two Hawks, Fall Issue<\/p>\n\n\n\n<p>\u201cHortus Conclusus,\u201d cover of <em>An Alphabet of Birds<\/em>, Moonrise Press<\/p>\n\n\n\n<p>\u201cThe Day She Sprouts Wings, Lemon,\u201d cover of Other Maidens, BlazeVOX<\/p>\n\n\n\n<p>\u201cMorgana,\u201d cover of Infinity Closet, Tolsun<\/p>\n\n\n\n<p>\u201cNeptune\u201d in pethricor, Issue 13<\/p>\n\n\n\n<p>&nbsp;\u201cAn Alphabet Of Birds\u201d in Harbor Review Issue 4<\/p>\n\n\n\n<p>2019 \u00a0\u00a0 <\/p>\n\n\n\n<p>\u201cOut of the Blue\u201d and \u201cSeas of Shadows\u201d in Silver Pinion 12.11<\/p>\n\n\n\n<p>\u00a0\u201cMoon of Roses\u201d in Arkana Issue 7<\/p>\n\n\n\n<p>\u201cNight Stand, p. 9\u201d, cover of Adanna #9<\/p>\n\n\n\n<p>&nbsp;\u201cTornado Tree, Driftwood, Abanico, Chrysalis, Garden of Earthy Delights, Harbor\u201d in Map Literary, 12\/04<\/p>\n\n\n\n<p>\u201cMystery House, Cardinal, Sparrow, Humming Bird\u201d in Col. Bd 10.23<\/p>\n\n\n\n<p>\u201cMan w the Flower Chest, Bajadera, Fast Runner, Man in Blue\u201d in Rogue Agent 55<\/p>\n\n\n\n<p>\u201cAt all costs\u201d and \u201cToday in the Forest\u201d in Femmes Folles 9.26<\/p>\n\n\n\n<p>&nbsp;\u201cIris\u201d in Poets Salon Colorado Bd 9.26<\/p>\n\n\n\n<p>&nbsp;\u201cDouble Mermaid #3 and 4\u201d, \u201cMermaid Vase Blue\u201d in Colorado Boulevard 7.24<\/p>\n\n\n\n<p>&nbsp;\u201cTiny Garden #1, August Moon\u201d, in Arkana, Issue 6<\/p>\n\n\n\n<p>&nbsp;\u201cSmall Tree\u201d in Spectrum #18&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p>\u201cTrading\u201d, by Alice Pero, cover illustration<\/p>\n\n\n\n<p>2018\u00a0\u00a0\u00a0 <\/p>\n\n\n\n<p>\u201cAntonio\u201d in Remembered Arts, Fall Issue<\/p>\n\n\n\n<p>&nbsp;\u201cHortus Conclusus\u201d in Peacock Journal 9.29<\/p>\n\n\n\n<p>\u201cQuizas Sibilas\u201d,\u201dPeripheries #3\u201d and \u201cAladin\u201d in Scryptic 2.2<\/p>\n\n\n\n<p>&nbsp;\u201cHannibal\u2019s Dream\u201d in Colorado BD 7\/25<\/p>\n\n\n\n<p>&nbsp;\u201cAlchemy 1, 2, 3, 4\u201d in Scryptic 2.1<\/p>\n\n\n\n<p>&nbsp;\u201cNew York\u201d, cover of Imaginary Landscapes<\/p>\n\n\n\n<p>\u00a0\u201cVertigo\u201d, \u201cJupiter Moon #1, 2, 3\u201d (ill.) in Rappahannock Issue 5.2<\/p>\n\n\n\n<p>\u00a0\u201cLost Planet\u201d in Nonbinary Review, Issue 16<\/p>\n\n\n\n<p>&nbsp;\u201cDulcinea\u201d, \u201cPinkerton\u201d, and \u201cLegend,\u201d in Rogue Agent Issue 36<\/p>\n\n\n\n<p>\u00a0<em>Mi Gato Saramago<\/em>, Asterisco Editora (10 illustrations)<\/p>\n\n\n\n<p>2017\u00a0\u00a0\u00a0 <\/p>\n\n\n\n<p>\u201cTwin Sisters, Ciocio-San, GrandMother&amp;Me#3\u201d in Rogue Agent, Issue 28; <\/p>\n\n\n\n<p>Featured Artist in Vayavya, # 17, with 12 illustrations<\/p>\n\n\n\n<p>Featured Artist in Longridge Review Spring Issue (\u201cAlter Alter\u201d, \u201cAnother Green World\u201d, \u201cAsia\u201d, \u201cIstambul\u201d, \u201cOne More Love Letter #2\u201d)<\/p>\n\n\n\n<p>\u201cMalamormiononmuore\u201d in Riddled With Arrows, 1.1<\/p>\n\n\n\n<p>\u201cAlter Alter\u201d, \u201cBabel\u201d, and \u201cBloodline#7, H\u201d, in Colorado BD, 3.8<\/p>\n\n\n\n<p>\u201cCassandra\u201d in Al-khemia Poetica, 3.7<\/p>\n\n\n\n<p>\u201cSonetto\u201d, cover of \u201cLit Windows\u201d by Joyce Futa, Blue Light Press Publishing<\/p>\n\n\n\n<p>2016\u00a0\u00a0\u00a0 <\/p>\n\n\n\n<p>\u201cAprile\u201d, published in The Adroit, Issue 14<\/p>\n\n\n\n<p>\u201cBloodline #1, 2 and 8\u201d, published in Rogue Agent, Winter Issue<\/p>\n\n\n\n<p>\u201cNinos y Ninas collecionana a su mundo\u201d&nbsp; pub. in La Ciudad,&nbsp; edited by Ana Chig<\/p>\n\n\n\n<p>\u201cGod of Salt and Stones\u201d\u201cAngels and Lions\u201d pub. in Kaaterskill Basin, Spring Issue<\/p>\n\n\n\n<p>\u201cShe was told\u201d and \u201cSewing Lessons\u201d published in *82 issues 4.1 and 4.2<\/p>\n\n\n\n<p>\u201cSonetto in Morte di Madonna Laura\u201d in Forage Poetry, June 19<sup>th<\/sup><\/p>\n\n\n\n<p>\u201cFrida &amp; Nicholas\u201d in Matador Review, Issue 1<\/p>\n\n\n\n<p>\u201cAlice Past The Mirror\u201d in Nonbinary Review, Issue 10<\/p>\n\n\n\n<p>\u201cGod of Salt and Stones\u201d, \u201cBest of Impossible Worlds\u201d, \u201cWinter\u201d, in Colorado Boulevard, July and August<\/p>\n\n\n\n<p>\u00a0\u201cJenecroiraiquatoi#7\u201d in Adanna, Issue 6<\/p>\n\n\n\n<p>\u00a0\u201cLavaland\u201d, \u201cWindborn\u201d, and \u201cBabel\u201d, in Star 82, 4.4<\/p>\n\n\n\n<p>\u00a0\u201cOtok\/Island\u201d in Brain of Forgetting, Island Issue<\/p>\n\n\n\n<p>2015\u00a0\u00a0\u00a0 <\/p>\n\n\n\n<p>\u201cJuliet\/Anatomia di un amore\u201d, Ill. for \u201cLike a Girl-The Pre Show\u201d, Lucid Moose<\/p>\n\n\n\n<p>\u201cCitizen#1, Le Bimbe, Myself as the iron girl, What is love #2\u201d, Ill. for \u201cLike a Girl\u201d, Lucid Moose<\/p>\n\n\n\n<p>\u201cThe Secret\u201d, Illustration for Poetry Corner, Colorado Boulevard, Pasadena<\/p>\n\n\n\n<p>\u201cHandmadeMap3, Instambul, Miniature Maps #1, 5 and 6\u201d, published in Maudlin Lit. Rev<\/p>\n\n\n\n<p>\u201cSheAngel1\u201d, published in Sein und Werden, Automata<\/p>\n\n\n\n<p>\u201cSisters\u201d and \u201cSignature\u201d, pub.&nbsp; in If and only If, Issue 2.5<\/p>\n\n\n\n<p>2013\u00a0\u00a0\u00a0 <\/p>\n\n\n\n<p>Illustrations for \u201cPara leer en Recreo\u201d by Manuel Luna, Asterisco Editora<\/p>\n\n\n\n<p>2012\u00a0\u00a0\u00a0 <\/p>\n\n\n\n<p>Four illustrations for \u201cGiochi di Fuoco\u201d, Italy<\/p>\n\n\n\n<p>2011\u00a0\u00a0\u00a0 <\/p>\n\n\n\n<p>\u201cUna Mas Love Letter\u201d, illustration for Speechless Magazine by Susan Lummis<\/p>\n\n\n\n<p>2007\u00a0\u00a0\u00a0 <\/p>\n\n\n\n<p>Illustrations for \u201cSix Little Things #5, Mortal Enemies\u201d, Six Bricks Publishers<\/p>\n\n\n\n<p>2003\u00a0\u00a0\u00a0 <\/p>\n\n\n\n<p>\u201cTravel Magazine\/Album di Viaggio\u201d, illustrations, Thesaurum, Roma<\/p>\n\n\n\n<p>\u201cQuelle voci, quel silenzio\u201d, illustration, Hystrio Magazine, Milano<\/p>\n\n\n\n<p>2002\u00a0\u00a0\u00a0 <\/p>\n\n\n\n<p>\u201cDalla terra al vaso\u201d, una favola sulla ceramica, illustrated book, Novamusa<\/p>\n\n\n\n<p>\u201cCeramica, un mondo da colorare\u201d, coloring book, Novamusa<\/p>\n\n\n\n<p>2000\u00a0\u00a0\u00a0 <\/p>\n\n\n\n<p>\u201cIl Museo Nazionale di Reggio Calabria, Guida per Bambini\u201d, Gangemi, Roma (illustrated book)<\/p>\n\n\n\n<p>1995\u00a0\u00a0\u00a0 <\/p>\n\n\n\n<p>\u201cProgetto La Fontaine\u201d, illustrations, Impresa per le Arti, Roma<\/p>\n\n\n\n<p><strong><u>Artist Talks<\/u><\/strong><\/p>\n\n\n\n<p>2016&nbsp;&nbsp;&nbsp; 3 presentations at the Living Room Gallery, Pasadena<\/p>\n\n\n\n<p>2010&nbsp;&nbsp;&nbsp; Forum on \u201cTestimonies 2\u201d, Gallery 50, L.A. ,CA<\/p>\n\n\n\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Presenting \u201cWriting the Body\u201d, Living Room Gallery, Pasadena, CA<\/p>\n\n\n\n<p>2009\u00a0\u00a0\u00a0 Presenting \u201cWriting the Body\u201d, Living Room Gallery, Pasadena, CA<\/p>\n\n\n\n<p><strong><u>YouTube<\/u><\/strong><\/p>\n\n\n\n<p>2009\u00a0\u00a0\u00a0 <a href=\"http:\/\/www.youtube.com\/watch?v=iLKW84BSJj8\">Opening of \u201cSacred Memories\u201d<\/a><\/p>\n\n\n\n<p><strong><u>Interviews and articles about my art<\/u><\/strong><\/p>\n\n\n\n<p>2022 \u00a0\u00a0 <\/p>\n\n\n\n<p><a href=\"https:\/\/londongrip.co.uk\/2022\/11\/london-grip-poetry-review-cindy-rinne\/\"><em>Today in the Forest<\/em>, reviewed by Michael Hogan in London Grip<\/a> Poetry 11.7<\/p>\n\n\n\n<p>2020 \u00a0\u00a0 <\/p>\n\n\n\n<p>\u201c<a href=\"https:\/\/www.dropbox.com\/scl\/fi\/yb5xejeimq7loeqc0pvj1\/Tales-of-Roots-and-Wing_NRM-10.pdf?rlkey=y0q1ie1a3i84haw8ilu1et055&amp;st=xpzqrygw&amp;dl=0\">Tales of Roots and Wings,\u201d in <em>New Reader Magazine<\/em><\/a>, #10<\/p>\n\n\n\n<p>2015\u00a0 \u00a0 <\/p>\n\n\n\n<p>K. Wilson<a href=\"http:\/\/coloradoboulevard.net\/mapping-the-artist-toti-obrien\/\">, Mapping the Artist, in <em>Colorado Boulevard<\/em><\/a><\/p>\n\n\n\n<p>A. Nodopaka <a href=\"http:\/\/www.vayavya.in\/obrien-interview.html\">in conversation with Toti O&#8217;Brien,<strong> <\/strong><em>Vayavya<\/em><\/a><\/p>\n\n\n\n<p>K. Wilson, <a href=\"http:\/\/coloradoboulevard.net\/mapping-the-artist-three-adventures\/\">Mapping the Artist, Three Adventures<\/a>, in <em>Colorado Boulevard<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Exhibitions 2025&nbsp;&nbsp;&nbsp; Open Artwork Studio, Claremont, CA; \u201cIn the Garden of Blooms and Ballyhoo,\u201d Cactus Gallery, L.A., CA; \u201cflor : essence,\u201d 2-person show, LMF Gallery, Sierra Madre, CA; \u201cMother Memory,\u201d group show, curator and participating artist, Wonzimer, Los Angeles, CA. 2024&nbsp;&nbsp;&nbsp; \u201c2024 Juried Art Exhibition Ahmad Shariff Gallery,\u201d Claremont, CA; \u201cPostmarked\u201d group show at East [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-308","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/totiarts.in\/toti-obrien\/wp-json\/wp\/v2\/pages\/308","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/totiarts.in\/toti-obrien\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/totiarts.in\/toti-obrien\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/totiarts.in\/toti-obrien\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/totiarts.in\/toti-obrien\/wp-json\/wp\/v2\/comments?post=308"}],"version-history":[{"count":1,"href":"https:\/\/totiarts.in\/toti-obrien\/wp-json\/wp\/v2\/pages\/308\/revisions"}],"predecessor-version":[{"id":311,"href":"https:\/\/totiarts.in\/toti-obrien\/wp-json\/wp\/v2\/pages\/308\/revisions\/311"}],"wp:attachment":[{"href":"https:\/\/totiarts.in\/toti-obrien\/wp-json\/wp\/v2\/media?parent=308"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}